With eyeballs and attention focused on the web, rarely a day passes without someone heralding the death of print. It’s just the fashionable thing to say.
In a recent interview, it was Microsoft CEO Steve Ballmer’s turn to hammer a nail into print’s coffin. He gave paper and ink a life expectancy of ten years before it gets binned forever, envisioning a world where all content is consumed on a Windows run machine. Whilst his prediction is music to the ears of Microsoft shareholders, we can’t see print fading away anytime soon.
It’s easy to jump on the ‘print is dead’ bandwagon based on the falling readership of newspapers and magazines. But in reality, print is merely evolving to accommodate digital and the changes in how content is consumed.
Whilst the mass market, one size fits all style of print publishing is slowly being ushered aside, new models are emerging that keep print firmly centre stage.
The debate is about change, not conflict
Readership of print has fallen dramatically in recent years, with ad revenues haemorrhaging as people switch to digital. Readers can now find breaking stories and articles of interest in a few mouse clicks. A daily newspaper or monthly magazine simply can’t compete with the immediacy of surfing the web.
However, people still like the physicality of browsing a printed publication. So there’s still a future for print if it can differentiate itself as a provider of comment, discussion and in depth analysis. If publishers want their print titles to stay profitable, they have to give readers something they can’t easily find online.
Printed newspapers and magazines need to evolve into a different type of beast altogether, one that can live in harmony, rather than conflict, with digital. Otherwise it risks becoming too costly for its masters to keep alive, and dying out altogether.
People still prefer print
When it comes to the marketing arena, if managed properly, print can continue to perform a starring role. The fact is that people still like to receive something they can touch and read at their leisure. A Pitney Bowes study found that 73% prefer to receive product announcements and offers in the mail, rather than read them on a monitor.
So with print still popular with prospects, the future lies in learning how to make best use of each medium. Every touch point needs to be integrated to deliver consistent branding, a unified message and a clearly directed sales path.
Print provides the ignition
Considering that people prefer to receive messages in print, well targeted direct mail can provide the ignition to an integrated campaign. Print’s role is to hook prospects and capture their interest before reeling them in to your branded website.
You can then use online tools to develop your message, such as video, background articles and interactive features. Once you’ve proven your credibility and won their email address, you can deliver further targeted messages and push them all the way to the end of the sales funnel.
From our Siemens campaign we experienced first hand how effective integrated campaigns can be, when both print and digital are working together to deliver a unified message.
Print’s survival depends on one factor
Whether print, in all its forms, is able to remain profitable and effective will rely on its ability to deliver the content people want in a way that’s relevant and useful.
The growth of digital is changing when people consume content, as well as how. Consumers are now in control of what messages they want to receive and when. As a result, websites are sprouting all over the web to discuss all manner of topics and to share information.
Markets are fragmenting into niches, in which people only want to receive messages that are relevant and match their interests. And that’s why the survival of print will be decided by a single factor: what people want.
Boxes full of literature piled high in your office?
Wasting marketing collateral because it’s full of old products and services?
Just think what that has cost you and the size of the footprint you are leaving…
Recycling may ease your green conscience, but why the need to recycle in the first place? - there is an alternative…
Print-on-demand (POD) solutions have been around since the late 90s and enable the production of exactly the right quantity of items, at exactly the right time, with no storage requirements and personalised (if required) to the recipient. Email and web (as we know it) have also been around since the late 90s and have dramatically changed how we communicate; so why oh why when the technology and capabilities are available, do we still do things the old way when it comes to printing documents?
Is it just because its the way we have always done it, are we just too scared to embrace the technology available, or is it still cost which is stopping us?
In the same way we can’t now do without the speed of digital print to hit fast approaching deadlines, I believe in a few years time we will also wonder how we managed our marketing collateral efficiently before POD. As production processes improve, technology speeds up, environmental pressures increase further and costs reduce even more this will become the norm, not the exception.
So go on get recognised as a innovator, POD is the future, get yourself involved in the action now!
This was the first time our boys (8 and 4 yrs old) have been to see a major band - and then they get to see six in one go. They’ve seen live bands before at motorcycle events, and while they’ve been impressed with the acts before nothing could prepare them for the performance from the Levellers et al.
The rain held off - we even had bouts of sunshine.
Here is a short run-down of the acts:
3 Daft Monkeys - a three-piece acoustic band that played, amongst other instruments, the fiddle, and guitars. Their set was very good and they impressed the crowd enough to ask for an encore (or two). Chumbawamba - you may remember their ‘TubThumping’ single from a few years ago but they’ve been around a lot longer than that and they’ve played at a quite number of events since then. Their act was thought provoking and funny, even though they had a semi-political agenda. Nathan & Quinn were, apparently, brought in at short notice - but you’d have never guessed it from the performance they gave. There set can best be explained as a brilliant acoustic folk guitar playing duo. Seth Lakeman & his band. Mr Lakeman is an accomplished musician: he played the guitar and violin, and he sang well. They were good songs, delivered well, but he didn’t spark me off as the other acts did. Dreadzone - Awesome, electric, brilliant, fun, cool (man). This group brought the event to it’s feet. Nearly everyone danced to the sound generated by this band - a mixture of dub, reggae, techno, and trance. I was so impressed I’ve now bought their second album ‘Second Light’. The Levellers - after a short interval, while they prepared the stage after Dreadzone, the Levellers appeared and the headline act got the crowd back on their feet. For those that haven’t heard of them they are a folk rock band that play tunes that you can’t help singing (and dancing along to). During their encore they were rejoined back on stage by 3 Daft Monkeys to perform the final number.
This was all followed by a spectacular fireworks display.
All-in-all a brilliant days entertainment -
definitely ‘A Beautiful Day Out’.
So, call me a big kid (and many do) but watching cartoons and animations still ranks high on my enjoyment list.
So imagine my eyes, the size of the moon, as the trailer for Pixar’s new film Wall.e appeared.
The basis for the story is about a lonely robot on earth, cleaning up all the mess humans had left behind after migrating to a new planet.
What makes this interesting (apart from the gorgeous animation) is the fact that for first 45mins of the film, there is no dialogue. The creators tried to capture human emotions and transfer that to Wall.e through sounds and gestures.
Did they manage to accomplish this, I hear you ask? Well, why not take a peek at the trailer below and judge for yourself.
One of natures funniest off shoots & proves that Darwin wasn’t always right. Survival of the funniest not the fittest.
“Besides the myotonia, other distinguishing features of the fainting goat are prominently set eyes, where the eye protrudes from the eye socket, as opposed to recessed eyes seen in other breeds. The profile is straight as opposed to convex or “roman” profile.
In the past they were used for protecting livestock such as sheep by involuntarily “sacrificing themselves” to predators, allowing the sheep to escape.“
…Having had a series of meetings today and devouring numerous biscuits of all shapes and sizes. I was just wondering if there was a survey as to the most popular meeting biscuits, what assortment would win?
When we are given a blank canvass to design HTML emails we take into consideration the following:
Preview Pane
We optimise the HTML template design for the top 2-4 inches as there is only this much space to tell the story and persuade the viewers to open our email instead of just previewing it.
75% of users use a vertical preview pane, 25% use a horizontal preview pane. To accommodate both sets of users we design the HTML email template messages so that it displays the most important call to actions and key content in the top left of the message.
Images
We do not use more than 30% ratio of images to text as most ISP and spam filter emails with will block emails with a higher ratio of images.
Up to 45% of viewers may have images turned off or blocked in their email client so we design the layout to focus the readers eyes on the key content of the message and also include image tags with full descriptions to encourage readers to download the images.
Width
We keep our HTML email width under 600 pixels to avoid users having to scroll to read the message.
Fonts
We use only universally supported fonts as non-standard fonts not supported by the reader’s computer may seriously affect the design layout.
Content
There are two distinct audiences, skimmers and readers. Readers are not a problem but skimmers will look at the top of the message, headlines and subheads and key bold phases throughout the message. We design the message, making proper use of bold face type style, so we can pull the reader down through the message and still deliver relevant content quickly.
Where possible we design the email to cover the main bullet points and use links to drive the viewer to your website. We encourage clients to include as many links as possible. Emails with many links will get a higher click rate than those with less links.
We include a text version of the email within the HTML so that it can be read by non-HTML email packages.
Scripts
We do not use scripts such as JavaScript as some applications view it as a security risk and will block messages. Instead we drive readers to a webpage where dynamic components are easily rendered.
HTML Code
We make sure our HTML code always conforms to W3C Standards. HTML code not conforming to WC3 can cause delivery and rendering issues.
The end of another busy week for us here & we’re all about to head down to the pub to celebrate the start of what’s looking to a lovely sunny weekend. For those of you interested in the web & javascript trickery enjoy the link below.
As you can tell with the rush of excitement this has been on hold to be posted for a few days. Then again they do say the best things come to those who wait…
When it comes to selling or marketing, everyone needs an ‘in’. A means of distinguishing yourself from competitors.
These days, you face much competition in business so you have to get your benefits over quickly and succinctly - your ‘elevator pitch’ if you like - to be noticed at all.
Never before have customers had such a range of products and services to choose from. And with the web all pervasive, it’s incredibly easy to compare everything from price to quality.
So, how do you get the customer to choose you?
Much has been said about the need for businesses to have a USP (unique selling point) or ESP (emotional selling point).
The major problem with a USP is that it can be fairly easily copied, (how many truly original business ideas have you seen recently?) and psychologists latest thinking is that ESPs are not valid because people are incredibly complex, with both rational and emotional motivators mixed together within any decision to buy.
So what are we left with?
The Engaging Selling Point - EnSP
This latest school of thought can be defined as the engagement, interaction and INVOLVEMENT of the customer.
The Point of Engagement is the point when a message is no longer ignored but rather triggers a sense of interaction and involvement. This occurs where speaker and listener are completely and utterly connecting on the same wavelength.
The most successful products or services in today’s B2B/C marketplaces often rely on their EnSP.
Your EnSP: Create an experience to get customer buy-in
When we go to sell our houses, why do we ensure the kitchen smells of coffee or have the smell of freshly baked bread wafting around? It’s more than likely because we want to evoke a feeling of homeliness and comfort that everyone relates to. We’re trying to trigger a number of senses in the brain.
The engaging selling point works in a similar way; no longer are you selling AT, or marketing TO a customer, you are striking a chord to involve them and most importantly to elicit an action from them.
Viral marketing and the EnSP
Instead of traditional ads where the product or service is front and centre, viral ads are stories or narratives, sometimes told in episodes which are distributed over the internet, via email or other digital means. They’re often movies, games, or Flash animations whose aim is to engage and entertain as a precursor to selling.
If they’re funny or engaging, they’re passed on from one consumer to another - and so the legwork of promotional effort is done for the advertiser. Very clever and very cost-effective. Good examples have been produced by IKEA, Virgin Money, Mini and Trojan condoms, which were all very engaging and entertaining.
Viral ads use the Engaging Selling Point to great effect. They can be relatively cheap to produce, and are often more credible and believable than standard forms of advertising in the eyes of the public, as they are not forced on the individual but passed to them by friends, family or colleagues.
Applying your EnSP
You don’t have to invest in an online marketing campaign to start using your EnSP. The first step in discovering your business’ EnSP is to apply some lateral creative thinking to your product or service.
Then find an entertaining and memorable story to engage or involve your customers.
Choose your media - you can use your EnSP across all levels of marketing, in adverts, direct mail, print, viral campaigns, websites and e-marketing.
Your EnSP can be rational or emotional, or a mix of the two - but above all - it doesn’t talk at the customer - it INVOLVES them.
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